Pretty good guys! The technology is in fact a servo feedback amp. 3A first came out with it in a mass market bookshelf speaker, the Andante 40 and 60 (using a small horn tweeter) in the early 70s, closely followed by Philips of Netherlands. Philips used a piezo sensor to apply the feedback whereas 3A used a seperate feedback winding to measure the voice coil excursion and apply a correction signal through the internal servo amp allowing an almost flat woofer output. 3A then came out with the Master Control which is shown in the original pic. They next came out with a large floor standing model using a 15" woofer called the Master Control Studio (pic below, frequency response 24-35KHz +/-2db) and then the compact Ultra Linéaire with an 11" woofer and a dome super-tweeter replacing the ribbon. The next step was the Triphonic system which used 2 tiny satellite speakers and a large, coffee table subwoofer with either 3 or 4 woofers. These were particularly striking as they were styled to be elaborate furniture with hand rubbed finishes; one model of note was even done up in Chinese gold Cloisonné and burgundy or black laquer (wish I could find those pictures for you).
Infinity did come out with a servo woofer design in 68 that used an internal microphone to supply the signal to be corrected by the amp, but it proved so unrelaiable that they had to do a complete redesign and eventually gave up on the technology before coming out with their better known and loved designs of the day The ServoStatic was a hybrid electrostatic/ribbon/subwoofer design. It was very high end, expensive speakers well beyond the price points that 3A and Philips were at.