Audio Related Topics

Ben Selvin/Orlando Roberson (The Cavaliers) Call Me Darling (1931)

The Beatles Run For Your Life

Guy Lombardo & His Royal Canadians Down By The River Sainte Marie (1931)

Loring 'Red' Nichols Blue Again (1931)

The Foursome Bidin' My Time (1931)

Charleston Chasers (Jack Teagarden) Basin Street Blues (1931)

Bing Crosby At Your Command (1931)

Jacques Renard With Frank Munn As Time Goes By (1931)

Ted Lewis & His Band An Evening In Caroline (1931)

Jack Fulton & The Romancers (Paul Whiteman Orchestra) A Faded Summer Love (1931)

Thanks, Mark @Daddyjt. this is making more sense, every time we share information. In my man cave AV - I'm kind of delaying things..., I might move (which really changes things) but if I stay here for 3-5 years, I want to replace the Denon. It's 20+ years old, and the "configuration" menus are about the worst UI experience - not to mention just suck - even when using their microphone auto-set-up. Everyone I've talked to with 10+ year old Denon receivers say the same thing. Now that they both (Denon and Marantz) are owned by Harmon group - I'm thinking some of that improvement for setup would get shared - but I haven't checked. I'll jus never buy another Denon component again (Turntables, yes, I like them, but no audio..., it's just too frustrating to try to work through the manuals, menu, and remote control commands - and their 2nd and 3rd zone configs oh, jeez, they have never worked for me (I gave up, added a y cable to the main channel outs, to get to second and third zones manually controlling via separate amps on/off/volume). For my man cave, If I had a more modern AV receiver (likely a new Marantz) that supported Atmos - I can easily put 4 speakers overhead in my ceiling. It's a drop panel ceiling which when I put it in, everyone said "you should put drywall on your ceiling"..., I've been up in that ceiling so many times, it has been a godsend not to have to rip-out, repair, paint etc., just to fish wires (let alone address a plumbing issue on the floor above! LoL. Anyone putting in a finished basement - I truly recommend a drop panel ceiling - you'll thank me later - not to mention the money you'll save on drywall repair. Now, I'm thinking I better get on this project! but until a new receiver, it's 7.2 for me. (I forgot I have TWO subs).

Vess Ossman The Cocoanut Dance (1903)

Columbia Steller Quartette Way Down Yonder In The Corn Field (1902)

Dan Quinn Down In Poverty Row (1896)

The Brilliant Quartette Hear Dem' Bells (1896)

Billy Golden The Mocking Bird (1897)

Dan W. Quinn A Hot Time In The Old Time (1897)

Ideally yes on the 9.1, but not necessarily. For most home theater applications, you have what’s called the “base layer” - that’s your 5.1 or 7.1. In 5.1, you have your front L,C,R and 2 surrounds and 1 sub. In 7.1, you have all that plus 2 back surrounds. In both of these configurations, the surrounds (and back surrounds) are often moved high up on the side and back walls - and this is fine, even though optimal position is at ear level for the seated listening positions. The Atmos channels are indicated by a third number added after the subs, that represents the number of Atmos speakers in the setup. For example, I run a 7.4.4 setup - 7 base layer speakers (front 3 plus 2 side surrounds and 2 back surrounds), 4 subs, and 4 in-ceiling Atmos speakers. My 2 side and 2 back surrounds used to be mounted up high, but When I added the in-ceiling Atmos speakers, I move these 4 speakers down to about 18” above ear level to allow for the differentiation between surround and height sounds (this was one of the most impactful upgrades of going to Atmos). One of the hottest debates in home theater right now is whether you are better off with a 7.1 or 5.1.2 setup. The community seems pretty evenly divided, but the downside of 5.1.2 is that you need an Atmos processor and source. Lacking those, 7.1 is the clear winner. it’s funny you mention the auto calibration of Marantz - I too find it an excellent starting point. In fact, Tim and I had this very conversation the other night, and I told him what I do - and it’s exactly what you described Andrew - I let it do it’s thing, then I boost the center about 3db and roll off a little treble to eliminate any sibilance with my Klipsch center which can be a little bright, but more than makes up for that in its clarity. Tuning (and taming) the 4 subs is another thing entirely - it’s a full day job, and maddening to boot - but SO worth it in the end. I have always felt that 70-80 percent of the “wow factor” of a home theater is the audio, and half of that 70-80 percent is tight, deep, and accurate bass…

These kids popped up on my FB feed..., Love to see this generation cranking out RUSH ! They are on their way. Love also seeing them perform - getting there comfort zone in front of a crowd. So few do this, and it is such a loss. https://www.facebook.com/share/v/1CrGhALzfa/

George W. Johnson The Whistling Coon (1891)

"The Presidents Own" United States Marine Band Washington Post March (1890)

Vess L. Ossman Yankee Doodle (1897)

"The Presidents Own) US Marine Band Semper Fidelis (1888)

Duffy & Imgrunds 5th Regiment Band Vienna Dudes March (1898)

It's hard to predict. I have a pair of ALIII+ speakers connected to a TFM-75. I plan on updating the crossovers just because I feel they are getting muddy - but it's hard to know for sure - as it is very subjective. As far as comparison between your Amazings and the ALIII? I think that is going to be subjective as well. And, perhaps if you put an A-B switch in your system, you might be able to get a direct flip-back-and-forth comparison. But in the end, your ears are different than my ears, and only you can make the final assessment. Bottom line, generally, people comment that upgrading crossovers that are 30+ years old increases their perceived performance for separation (lows from highs) and increased detail. Let us know what you hear in your upgrade. We're looking forward to your results.