RichP714

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Dig the Juicy ring modulation!

A treat for Sonic Holography fans. If you have your room and speakers set up as probably very few have (egg-crate foam, covered entryways, etc), the part after the bridge (it starts off with a disembodied voice asking 'can you feel the power?' is very satisfying. During the soliloquy, his voice will whisper in one ear, run around the room and whisper in your other ear. Other neat effects as well.

Al di Meola - Race with Devil on Spanish Highway

It's been quite awhile, but there should be some configuration file in the directory that contains the exe (or it may be a php file, I don't remember) That config file sets variables for the player, one of which is the license code (which I think is domain dependant). I believe that without this config file, the wimpy player will not work.

More of the often inscrutable flaming lips Ashes in the Air The Flaming Lips You and me, we're both so fucked up You're fucked up in the good way and I'm fucked up in the bad You and me, we thought we were so smart We thought we could outrun them but they had robot dogs You and me, we're both in the same hole But you dream of ways of leaving and I get used to the cold All the ashes in the air, you can hear us anywhere All the ashes in the air, you can hear us anywhere, oh You and me, we heard a sudden thud But you ran in to save them and I didn't give a fuck You and me, our egos made from fires Burning all our flesh off 'til we're skeletons duelling with wires All the ashes in the air, you can hear us anywhere All the ashes in the air, you can hear us anywhere, oh You and me saw the light of the ship get crossed But it was up above us, it left us where we was You and me have learned that love is true If you ask me how I know it, I'll never lie to you All the ashes in the air, you can hear us anywhere All the ashes in the air, you can hear us anywhere, oh Songwriters: Justin Vernon / Michael Ivins / Steven Drozd / Wayne Coyne Ashes in the Air lyrics © Kobalt Music Publishing Ltd.

IIRC I bought a license for Wimpy that may have broken when you switched servers? Oh, and I'm really digging the new platform; the effort involved, and capability gained is substantial

I just realized I pulled a Coash (this topic was from march, but 2017 (I didn't notice the year, what happened to the 'X days (yrs) ago' ) apologies

Is the Music library still around?

look up trans-coding errors; there is loss. Back when I was a 'man who isn't there' we proved that converting from NITF to TFRD and back (Uncle Sam's version (in a way) of TIFF and JPEG) again accounted for a 0.5 NIIRS loss in integrity of the original file. Considering that it costs several hundred million dollars to achieve a 0.5 NIIRS increse in resolution, we were able to demonstrate that analysts were needlessly throwing away data.

The Flaming Lips trying out some krautrock There Should Be Unicorns The Flaming Lips Yeah, there should be unicorns The ones with the purple eyes It should be loud as fuck Hope the swans don't die There should be burning sun And naked slaves And if the police show up We'll give them so much money it will make them cry And forgive us Yeah, there should be unicorns The ones with the purple eyes Not the green eyes Yeah, there should be unicorns The ones with the purple eyes Not the green eyes Yeah, there should be unicorns The ones with the purple eyes Not the green eyes Yeah, there should be day glow strippers Ones from the Amazon Some edible butterflies We put ketchup on Some motorcycle stunts That always crash And if the police show up We'll bribe them into helping us steal the light of love From the rainbow sluts that live next door Yeah, there should be unicorns The ones with the purple eyes Not the green eyes Yeah, there should be unicorns The ones with the purple eyes Not the green eyes At first there should be unicorns The ones with the purple eyes, not the ones with green eyes Whatever they give them, they shit everywhere And it would be great if the moon was almost down Like in a very red/orange state Let's leave it like that for at least three hours, Hovering just above the horizon And if the police show up, We will give them so much money that they can retire from their shitty, Violent jobs and live the greatest life they've ever lived And we will be high and the love generator will be turned up to its maximum And we’ll get higher, when at last, The sun comes up in the morning and we will collapse under the weight of the ancient earth And it will be inside me and it will be inside you And it will be the end of the world and the beginning of a new love Songwriters: Steven Drozd / Wayne Coyne There Should Be Unicorns lyrics © BMG Rights Management US, LLC

Those two principles can be antagonistic, as distortion is one of the parameters a human ear uses to perceive 'loud' For example, my Cornwall II are extremely transparent, dynamic and clean While listening, I sometimes don't realize how high I have the volume (it just sounds clean and natural) until I try to talk to the person sitting right next to me and find that I have to cup my hands and shout into their ear

I was joking about your prior bad experience with the company, the joke being that they care as much about being correct as Rupert Murdoch does

You know, that kinda fries me; they are selling something that they KNOW is incorrect.... Caveat emptor baby! Speaking of foisting knowledge they know is incorrect, I wonder where they stand on climate change? Tree rings, methane, volcanoes, zeropointe vacuum fluctuations...

The Police - J'aurais Toujours Faim de Toi

The Hooters: Satellite

An excellent point. I suppose that would depend on the type of music. Orchestral music I would want to be reproduced in a 'you are there' manner. Small musical combos, i.e. jazz, acoustic solos, piano solos and such, I would want to be reproduced in a 'they are here' manner. If speakers gave me a sense of that, then I suppose I could consider them great speakers, even if someone else thought they were only good speakers. 'they are here' Loudspeakers that aim to provide a wide spectrum with little/no coloration from secondary reflections A good example are Klipsch Cornwall II; whose dispersion pattern has been said to almost exactly reproduce live sound propagation in studio 'you are there' Loudspeakers that aim to re-create the ambience of a live sound space, usually by purposely reflecting sound from your listening room's rear and side walls A good example are Sunfire CRM-2 , which bounce a high percentage of their output off of adjacent walls you may also be interested in: http://thecarversite.com/yetanotherforum/default.aspx?g=posts&m=17121#post17121

WHo else? as a bonus, he gave me permission to use the phrase for zeropointe

One of the first points of differentiation can be, do you want the sound to be 'you are there' or 'they are here'