Audio Related Topics

Gerry & The Pacemakers Don't Let The Sun Catch You Crying (1964)

The Rolling Stones Time Is On My Side (1964)

Dionne Warwick Walk On By (1964)

Millie Small My Boy Lollipop (1964)

Ronny & The Daytonas Little GTO (1964)

The Serendipity Singers Don't Let the Rain Come Down (1964)

Jay & The Americans Come A Little Bit Closer (1964)

The Trashmen Surfin' Bird (1964)

Dave Clark Five Bits & Pieces (1964)

Fleetwood Mac Coming Home

Boston Amanda

The Beatles I Call Your Name (Remastered)

Joe Cocker She Came In Through The Bathroom Window

Oh, nothing to see there - it's mostly peaceful organized violence.

My daily dose. The Rippingtons, Modern Art (album) Hmm, I don't think the smooth jazz is the Paris Groove lately.

CCR Graveyard 🪦 Train 🚂

Ramones Pet Sematery 🪦

Eagles Witchy Woman (2013 Remastered)

The soundstage on most of this record is incredible. Very raw stripped down sound on this record.

Jan & Dean The Little Old Lady From Pasadena (1964)

The Shangri-Las Remember (Walking In The Sand) 1964

The Rip Chords Hey Little Cobra (1964)

Leslie Gorer You Don't Own Me (1964)

Rahsaan Barber, Eternal was released on October 9, 2026. "Already an accomplished saxophonist and composer, Rahsaan Barber nonetheless reaches a magnificent degree of creative energy—fresh, thoughtful, and somehow both raw and refined—on Eternal, arriving via his own Jazz Music City Records on October 9. The album features the Nashville-born, Chapel Hill, North Carolina–based saxophonist with a new collaborator, New Orleans guitarist Ted Ludwig, alongside Barber’s longtime rhythm section of pianist Matt Endahl, bassist Kevin Beardsley, and drummer Joshua Hunt." You can read the rest of the review here...

Vanisha Gould, What An Interesting Girl was released on October 9, 2026. "The album follows Gould’s 2024 release She’s Not Shiny, She’s Not Smooth. NPR included its single “Demure” among the Best Songs of 2024, with Nate Chinen praising Gould’s “swinging, Bob Dorough-esque deadpan” and calling the song “a clever indictment” of unsolicited advice directed at women. Chinen has also called Gould “a major talent who combines a blues cry with a storyteller’s point of view.” DownBeat praised her clarity, humor, knowledge and pathos, while JazzTimes cited her “plush contralto” and “keen emotional intelligence.” " You can read the rest of the review here...