"...a ruminative, elegiac album far... In some ways, Cohen's move toward a more classical, ambient sound makes sense, as he is recording material specifically with the ECM stylistic tradition in mind. Cohen also composed these songs in the wake of his father's death, and the trumpeter's grief seems to permeate everything on Into the Silence. He even bookends the album with the funereal "Life and Death," in which he moans, Miles Davis-like, through muted trumpet, his band in a slow march beside him...The group members have an organic, focused intensity as if they hang on each phrase together. This intensity is well matched by the production, which sounds typically warm and full of natural reverb, as if recorded in a church instead of Studios La Buissonne in Pernes-les-Fontaines, France. Other tracks, like the slowly rolling "Dream Like a Child" and the quietly discordant "Behind the Broken Glass," also benefit from this group interplay, with Cohen leading his band through ambient soundscapes that, much like one's emotions after the death of a loved one, are supple and sad one minute, and sharp and tangled the next."